{"id":34898,"date":"2022-03-19T19:13:30","date_gmt":"2022-03-19T18:13:30","guid":{"rendered":"https:\/\/museumdkm.de\/eros-in-erwartung-der-ewigkeit\/"},"modified":"2023-01-17T21:03:11","modified_gmt":"2023-01-17T20:03:11","slug":"eros-in-afwachting-van-de-eeuwigheid","status":"publish","type":"post","link":"https:\/\/museumdkm.de\/nl\/eros-in-afwachting-van-de-eeuwigheid\/","title":{"rendered":"EROS in afwachting van de eeuwigheid"},"content":{"rendered":"

EROS in afwachting van de eeuwigheid<\/h2>
<\/div>
SAMMLUNG DKM<\/h5>\n<\/div><\/div>

26.03.2022 \u2013 15.01.2023<\/p>\n<\/div><\/div><\/div><\/div><\/div>

\"Eros-in-Erwartung-01\"<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>
<\/div><\/div>

De tentoonstelling EROS in Verwachting van Eeuwigheid<\/em> presenteert een belangrijk collectiepunt van de collectie DKM: het beeld van de man in fotografie en beeldhouwkunst van eind 19e eeuw tot heden. De titel suggereert sensuele, hero\u00efsche en mythologisch geladen werken die verweven zijn met de schoonheid van de oudheid en de vergankelijkheid confronteren.<\/p>\n<\/div><\/div>

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Terwijl het naakte vrouwenlichaam of het vrouwelijk naakt een belangrijke plaats inneemt in de canon van de kunst, is de afbeelding van het mannelijk naakt sinds de oudheid alleen geaccepteerd in verband met attributen van de martelaar of de held. Afbeeldingen van pure mannelijke schoonheid en seksualiteit waren lange tijd taboe. Een van de eerste voorstanders van mannelijke naaktfotografie was de Duitse fotograaf Wilhelm von Gloeden (DE, 1856 -1931), die zijn mannelijke modellen in een arcadische fantasiewereld plaatste. De verwijzing naar de oudheid legitimeert dus het tonen van het mannelijk lichaam.<\/p>\n

Het zou tot het einde van de 20e eeuw duren voordat het \u00abpure\u00bb mannelijk naakt vrij toegankelijk werd voor het publiek. De jaren zestig waren in veel opzichten een bevrijding voor mannen. Er werd afscheid genomen van verouderde opvattingen, de schaamte werd afgelegd en ook het taboe op mannelijke naaktfotografie was gevallen. De fotografen Herbert Tobias en Will McBride verschenen rond deze tijd in Duitsland en vertegenwoordigden hun eigen richting in de fotografie van het mannelijk naakt, waarbij de nadruk lag op realisme en in hun vastberadenheid om het taboe te doorbreken de opkomende punkcultuur inluidde. In New York deed Robert Mapplethorpe zijn intrede en cre\u00eberde een nieuwe stijl van naaktfotografie. Het mannelijk lichaam als object van lust en begeerte wordt eindelijk geaccepteerd in de bredere samenleving.<\/p>\n

De afbeelding van de bevrijding van het mannelijk naakt, de triomf en de dood van de held zijn bedoeld om de schoonheid en sensualiteit van het moderne Eros te benadrukken, om ons onder te dompelen in de diepte van het zijn en ons te confronteren met de onvermijdelijkheid van het vergankelijke. In deze wereld van gedachten schommelen de zintuigen tussen de fascinerende aantrekking en verstoring, slaap en ontwaken, schoonheid en dood, leven en verlies.<\/p>\n

De tentoonstelling brengt werken samen van de volgende kunstenaars:<\/p>\n

Dieter Blum (DE, 1986) <\/span>
Katharina Bosse (FI, 1968) <\/span>
Jean-Marie Bottequin (BE, 1941) <\/span>
David Buckland (GB, 1949) <\/span>
Jakov Chalip (RU, 1908 \u2013 1980) <\/span>
Jim Dine (US, 1935) <\/span>
Tom Fecht (DE, 1952) <\/span>
Wilhelm von Gloeden (DE, 1856 \u2013 1931) <\/span>
Konrad Helbig (DE, 1917 \u2013 1986) <\/span>
Eikoh Hosoe (JP, 1933) <\/span>
Albert Hinrich Hussmann (DE, 1874 \u2013 1946) <\/span>
Daniel Kane (US, 1954) <\/span>
Charlotte March (DE, 1930 \u2013 2005) <\/span>
Cristina Garc\u00eda Rodero (ES, 1949) <\/span>
Will McBride (US, 1931 \u2013 2015)
\nHerbert List (DE, 1903 \u2013 1975) <\/span>
Robert Mapplethorpe (US, 1946 \u2013 1989) <\/span>
Willy Maywald (DE, 1907 \u2013 1985) <\/span>
Duane Michals (US, 1932) <\/span>
Mathieu Molitor (DE, 1873 \u2013 1929) <\/span>
Franz M\u00fcller-M\u00fcnster (DE, 1867 \u2013 1936) <\/span>
Erwin Olaf (NL, 1959) <\/span>
Hilmar Pabel (DE, 1910 \u2013 2000) <\/span>
Guglielmo Pl\u00fcschow (DE, 1852 \u2013 1930) <\/span>
Jury Rupin (UA, 1946 \u2013 2008) <\/span>
Roy Schatt (US, 1909 \u20132002) <\/span>
Pierre de Soete (BE, 1886 \u2013 1948) <\/span>
Claudia Terstappen (DE, 1959) <\/span>
Ulrich Tillmann (DE, 1951 \u2013 2019) <\/span>
Herbert Tobias (DE, 1924 \u2013 1982) <\/span>
Minor White (US, 1908 \u2013 1976) <\/span>
Marcel Wolfers (BE, 1886 \u2013 1976) <\/span>
Josef Wopfner (CH, 1843 \u2013 1927) <\/span>
Carl Wuttke (DE, 1849 \u2013 1927) <\/span>

<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>

<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>

Werken in de tentoonstelling<\/span><\/h4><\/div><\/div>
<\/div>
\n
\n

EROS in Verwachting van Eeuwigheid<\/strong>
\n(Begane grond oud gebouw, kamer II – kamer VI; werkt met de klok mee)

Kamer II <\/span><\/strong>

Will McBride <\/span>
Seaside<\/span><\/em>,<\/em> 1968 <\/span>
Silbergelatineabzug <\/span>
25 x 38 cm <\/span>

Claudia Terstappen <\/span>
Juist<\/span><\/em>,<\/em> 1989 <\/span>
Schwarzwei\u00dffotografie <\/span>
32 x 47,8 cm <\/span>

Claudia Terstappen <\/span>
Juist<\/span><\/em>,<\/em> 1989 <\/span>
Schwarzwei\u00dffotografie <\/span>
32 x 47,8 cm <\/span>

Horn (Sto\u00dfzahn) eines Narwals <\/span>
Fr\u00fches 19. Jahrhundert, H\u00f6he: 256 cm <\/span>

Herbert List <\/span>
Heimkehr der Fischerboote<\/span><\/em>,<\/em> ca. 1956 <\/span>
Silbergelatineabzug <\/span>
29 x 22 cm <\/span>

Willy Maywald <\/span>
Man asleep. Portrait of Bobby<\/span><\/em>,<\/em> 1955 <\/span>
Silbergelatineabzug <\/span>
20 x 17 cm <\/span>
Ed. 7 <\/span>

Katharina Bosse <\/span>
Mermaid and Sailor<\/em> <\/span>(Portraits, 1999) <\/span>
Color negative print <\/span>
41 x 30,5 cm <\/span>
Ed. 3\/7 <\/span>

Katharina Bosse <\/span>
Mermaids, Midori Mermaid Man<\/span><\/em>,<\/em> 2001 <\/span>
Color negative print <\/span>
41 x 30,5 cm <\/span>
Ed. 15<\/span><\/p>\n

 <\/p>\n<\/div>\n<\/div>\n

\n
\n

Katharina Bosse <\/span>
o. T.,<\/em> 1999 <\/span>
Color Negative Print <\/span>
41 x 30,5 cm <\/span>
Ed. 7 <\/span>

Katharina Bosse <\/span>
Cologne<\/span><\/em>,<\/em> 1997 <\/span>
Color Negative Print <\/span>
27,5 x 38 cm <\/span>
Ed. 7 <\/span>

Charlotte March <\/span>
Mann mit Schlange<\/span><\/em>,<\/em> 1976 | 1992 <\/span>
Silbergelatineabzug <\/span>
37,7 x 25,5 cm <\/span>

Will Mc Bride <\/span>
Markus Mully\u00e1ns in Caolin<\/span><\/em>,<\/em> 1978\/79 <\/span>
Silbergelatineabzug <\/span>
31,5 x 20 cm <\/span>

Erwin Olaf <\/span>
M\u00e4nnlicher Akt<\/span><\/em>,<\/em> 1990 <\/span>
28 x 22 cm <\/span>

Tom Fecht <\/span>
Jacob\u2019s Ladder<\/span><\/em>,<\/em> 1999 <\/span>

Robert Mapplethorpe <\/span>
o. T.<\/span><\/em>,<\/em> 1981 <\/span>
Silbergelatineabzug <\/span>
38 x 37 cm <\/span>

Roy Schatt <\/span>
o.T.,<\/em> o.J. <\/span>
Silbergelatineabzug <\/span>
49,5 x 39 cm <\/span>

Daniel Kane <\/span>
Martin<\/span><\/em>,<\/em> 2007 <\/span>
Schwarzwei\u00dffotografie <\/span>
25 x 25 cm <\/span>
Ed. 1\/5 <\/span>

Daniel Kane <\/span>
Andreas,<\/em> o. J. <\/span>
Schwarzwei\u00dffotografie <\/span>
25 x 25 cm <\/span>
Ed. 1\/5<\/span><\/p>\n


Jean-Marie Bottequin<\/p>\n<\/div>\n<\/div>\n

\n

Phallus No.23,<\/em> 1981 <\/span>
Schwarzwei\u00dffotografie <\/span>
46,5 x 35,5 cm <\/span>

Jean-Marie Bottequin <\/span>
Phallus No.30,<\/em> 1981 <\/span>
Schwarzwei\u00dffotografie <\/span>
46,5 x 35,5 cm <\/span>

Dieter Blum <\/span>
Vladimir Malakhov und Christopher Hemmans, ALT BACH,<\/em> 1994 <\/span>
Schwarzwei\u00dffotografie <\/span>
40 x 40 cm <\/span>

Herbert Tobias <\/span>
o.T.,<\/em> o.J. <\/span>
Schwarzwei\u00dffotografie <\/span>
26,2 x 26,5 cm <\/span>

Eikoh Hosoe <\/span>
Two male nudes,<\/em> 1973 <\/span>
Schwarzwei\u00dffotografie <\/span>
25,5 x 16,5 cm <\/span>

Tom Fecht <\/span>
I Basics,<\/em> 1997\/2018 <\/span>

Gelehrtenstein, China, 19. Jahrhundert<\/span><\/p>\n<\/div>\n

\n
\n

Kamer III <\/span><\/strong>

Wilhelm von Gloeden <\/span>
28 Ago 1898, Taormina (Sicilia), <\/span><\/em>o. J. <\/span>
Albuminabzug <\/span>
20 x 16 cm <\/span>

Wilhelm von Gloeden <\/span>
12 \u2013 06. Taormina Sicilia, Piazza San Domenico, <\/span><\/em>o. J. <\/span>
Albuminabzug <\/span>
20 x 16 cm <\/span>

Wilhelm von Gloeden <\/span>
Zwei Knaben. Taorminia, Sicilia<\/span><\/em>,<\/em> 1910 <\/span>
Albuminabzug <\/span>
22 x 16 cm <\/span>

Carl Wuttke <\/span>
Die Kalifengr\u00e4ber bei Cairo (Studie)<\/span><\/em>,<\/em> 1902 <\/span>
\u00d6l auf Leinwand <\/span>
12 x 20 cm <\/span>

Josef Wopfner <\/span>
Badende Jungen am Seeufersteg<\/span><\/em>,<\/em> 1899 <\/span>
\u00d6l auf Leinwand <\/span>
22 x 20 cm <\/span>

Toni Stadler <\/span>
R\u00f6mische Campagna \u2013 Landschaft<\/span><\/em>,<\/em> 19. Jh. <\/span>
\u00d6l auf Leinwand <\/span>
21 x 29 cm <\/span>

Albert Hinrich Hussmann <\/span>
Olympiasieger<\/span><\/em>,<\/em> um 1920<\/span>
Bronze <\/span>

Wilhelm von Gloeden<\/span>
Young boy in doorway<\/span><\/em>,<\/em> 1899 <\/span>
Albuminabzug <\/span>
15 x 11 cm <\/span>

Guglielmo Pl\u00fcschow <\/span>
Young boy with curls<\/span><\/em>,<\/em> ca. 1900<\/span>
Albuminabzug <\/span>
21 x 16 cm <\/span>

Wilhelm von Gloeden<\/span>
Young Male Nude<\/span><\/em>,<\/em> 1900<\/span>
Albuminabzug <\/span>
15,5 x 11,5 cm <\/span>

<\/p>\n

Wilhelm von Gloeden<\/div>\n<\/div>\n<\/div>\n
\n
\n

M\u00e4nnliche Akte im Garten (ITALIEN)<\/span><\/em>,<\/em> um 1900<\/span>
Albuminabzug <\/span>
15,5 x 11,5 cm <\/span>

Foto eines r\u00f6mischen Dreifu\u00dfes aus Pompeji <\/span>

Drei Satyrn tragen ein Kohlebecken<\/em> (Ausschnitt) <\/span>
Nationalmuseum, Neapel <\/span>
23 x 16 cm <\/span>

Daniel Kane <\/span>
Pergamon I<\/span><\/em>,<\/em> 1995 <\/span>
Platinum Palladium Print <\/span>
Ed. 2\/3 <\/span>
12 x 9,5 cm <\/span>

Daniel Kane <\/span>
Alan<\/span><\/em>,<\/em> 1990 <\/span>
Platinum Palladium Print <\/span>
Ed. 2\/5 <\/span>
12 x 9,5 cm <\/span>

Daniel Kane <\/span>
Thomas Pepper<\/span><\/em>,<\/em> 1991 <\/span>
Platinum Palladium Print <\/span>
Ed. 1\/3 <\/span>
12 x 9,5 cm <\/span>

Daniel Kane <\/span>
Rob<\/span><\/em>,<\/em> 1991<\/span>
Platinum Palladium Print <\/span>
Ed. 1\/4 <\/span>
12 x 9,5 cm <\/span>

Daniel Kane <\/span>
Christoph,<\/em> <\/span>1987 <\/span>
Platinum Palladium Print <\/span>
14,5 x 19 cm <\/span>

Daniel Kane<\/span>
Circus Performer<\/span><\/em>,<\/em> 2000 <\/span>
Platinum Palladium Print <\/span>
12 x 9,5 cm <\/span>

Daniel Kane <\/span>
Ed in the Kitchen<\/span><\/em>,<\/em> 1987<\/span>
Platinum Palladium Print <\/span>
12 x 9,5 cm <\/span>

Daniel Kane <\/span>
Ralf Moored<\/span><\/em>,<\/em> 1991 <\/span>
Platinum Palladium Print <\/span>
12 x 9,5 cm <\/span><\/p>\n

<\/div>\n<\/div>\n<\/div>\n
\n
\n

K\u00fcnstler unbekannt <\/span>
Heiliger Sebastian,<\/em> <\/span>o.J. <\/span>
\u00d6l auf Leinwand <\/span>
70 x 114 cm <\/span>

Daniel Kane <\/span>
Oliver Schiele, <\/span><\/em>1995 <\/span>
Platinum Palladium Print <\/span>
12 x 9,5 cm <\/span>
Ed. 2\/6<\/span>

Daniel Kane <\/span>
Tim,<\/em> <\/span>1997 <\/span>
Platinum Palladium Print <\/span>
14,5 x 19 cm <\/span>
Ed. 1\/6 <\/span>

Daniel Kane <\/span>
Ed Pelvis Bone<\/span><\/em>,<\/em> 1996 <\/span>
Platin Palladium Print <\/span>
9,5 x 12 cm <\/span>
Ed. 3\/5 <\/span>

Minor White <\/span>
Nude Foot<\/span><\/em>,<\/em> 1947<\/span>
Silbergelatineabzug <\/span>
14,5 x 19 cm <\/span>

Daniel Kane<\/span>
(Martin?), <\/span><\/em>1999 <\/span>
Platin Palladium Print <\/span>
18 x 14 cm <\/span>

Daniel Kane <\/span>
o. T.<\/span><\/em>,<\/em> ohne Jahr <\/span>
Selengetont, Silbergelatineabzug <\/span>
13 x 20 cm <\/span>

David Buckland <\/span>
The Italian<\/span><\/em>,<\/em> 1984, Ed. 1\/15 <\/span>
Cibachrome <\/span>
103 x 79,5 cm <\/span>

Daniel Kane <\/span>
Helmut<\/span><\/em>,<\/em> 1995 <\/span>
Platin Palladium Print <\/span>
14 x 18 cm <\/span>
Ed. 6\/15<\/span><\/p>\n


Daniel Kane
\nNeal<\/em>
\nPlatin Palladium Print
\n18 x 12 cm
\nEd. 1\/10

Daniel Kane <\/span>
Jan,<\/em> <\/span>1991, <\/span>
Platin Palladium Print <\/span>
9 x 11 cm <\/span>
Ed. 1\/4 <\/span>

Daniel Kane <\/span>
Matthias<\/span><\/em>,<\/em> 1997 <\/span>
Platin Palladium Print <\/span>
18 x 14 cm <\/span>

Daniel Kane <\/span>
Lee<\/span><\/em>,<\/em> 1988 <\/span>
Platin Palladium Print <\/span>
18 x 14 cm <\/span>

Franz M\u00fcller-M\u00fcnster (DE, 1867 – 1936) <\/span>
Reiter an der Tr\u00e4nke<\/span><\/em>,<\/em> um 1900 <\/span>
\u00d6l auf Leinwand <\/span>
46 x 58 cm <\/span>

Jean Cocteau, <\/span>
Souvenir de Jean Cocteau<\/span><\/em>,<\/em> um 1940 \u2013 1945 <\/span>
Bleistift auf Papier<\/span>

Herbert List <\/span>
Junger Mann<\/span><\/em>,<\/em> 1955 <\/span>
Schwarzwei\u00dffotografie <\/span>
23 x 28,5 cm <\/span>

<\/p>\n

Kamer IV<\/strong><\/div>\n<\/div>\n<\/div>\n
\n
\n


Marcel Wolfers <\/span>
Kreuzweg, Station 10, Jesus wird seiner Kleider beraubt<\/span><\/em>,<\/em> 1927\u20131929 <\/span>
Bronze, farbig gefasst, Holz <\/span>
96 x 78,5 x 10 cm <\/span>

Marcel Wolfers <\/span>
Kreuzweg, Station 11, Jesus wird ans Kreuz genagelt<\/span><\/em>,<\/em> 1927\u20131929 <\/span>
Bronze, farbig gefasst, Holz <\/span>
96 x 78,5 x 10 cm <\/span>

Marcel Wolfers <\/span>
Aurora (Morgenr\u00f6te),<\/span><\/em> 1912 <\/span>
Salzglasierte Keramik <\/span>
72 x 52 x 23 cm <\/span>

Marcel Wolfers <\/span>
Crepusculum (Abendd\u00e4mmerung)<\/span><\/em>,<\/em> 1912 <\/span>
Salzglasierte Keramik <\/span>
77,5 x 46,5 x 24 cm <\/span>

Marcel Wolfers <\/span>
Nox (Nacht),<\/span><\/em> 1912 <\/span>
Salzglasierte Keramik <\/span>
67,5 x 46,5 x 24 cm <\/span>

Hilmar Pabel, 1968 <\/span>
GI in Vietnam, HuE,<\/span><\/em> 1968 <\/span>
Schwarzwei\u00dffotografie <\/span>
23 x 34 cm <\/span>

Pierre de Soete <\/span>
Held der L\u00fcfte<\/span><\/em>,<\/em> ca. 1926 <\/span>
Patinierte Bronze <\/span>
B\u00fcste 57 cm <\/span>
Skulpturenfragment des Kriegermonuments La Conquete de l\u2019Air, Br\u00fcssel <\/span>

<\/p>\n

Kamer V<\/strong><\/div>\n<\/div>\n<\/div>\n
\n
\n


Konrad Helwig <\/span>
Junger Mann,<\/span><\/em> 1960er <\/span>
Silbergelatineabzug <\/span>
23,5 x 18,2 cm <\/span>

Jakov Chalip <\/span>
Drink,<\/span><\/em> 1950 <\/span>
Silbergelatineabzug <\/span>
28 x 19 cm <\/span>

Ulrich Tillmann <\/span>
Maverick mit entbl\u00f6\u00dftem Oberk\u00f6rper,<\/span><\/em> 1994\/2000 <\/span>
59 x 42 cm <\/span>

Herbert Tobias <\/span>
Manfred,<\/span><\/em> Berlin 1957 <\/span>
Silbergelatineabzug <\/span>
30 x 23 cm <\/span>

Herbert List <\/span>
Rudi,<\/span><\/em> 1948 <\/span>
Silbergelatineabzug <\/span>
28 x 23 cm <\/span>

Herbert List <\/span>
Kreta<\/span><\/em>,<\/em> 1937 <\/span>
Silbergelatineabzug <\/span>
26,5 x 22 cm <\/span>

Ulrich Tillmann <\/span>
Liniope<\/span><\/em>,<\/em> 1991\/1999 <\/span>
41 x 58 cm <\/span>

Ulrich Tillmann <\/span>
Maverick mit geschlossenen Augen,<\/span><\/em> 1999\/2000 <\/span>
Silbergelatineabzug <\/span>
40 x 59 cm <\/span>

Jury Rupin <\/span>
Sauna 05<\/span><\/em>,<\/em> 1972 <\/span>
Schwarzwei\u00dffotografie <\/span>
27,5 x 38 cm <\/span>

Will McBride <\/span>
Mike is washing himself – Salem<\/span><\/em>,<\/em> 1963\/1998 <\/span>
Schwarzwei\u00dffotografie <\/span>
54 x 35,5 cm <\/span>

Jim Dine <\/span>
Glyptotek, 1988<\/span>

<\/p>\n

Raum VI<\/strong><\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Cristina Garc\u00eda Rodero <\/span>
Wallfahrt im Morgengrauen<\/span><\/em>,<\/em> 1980 (Serie: <\/span>Espa\u00f1a oculta<\/span>) <\/span>
s\/w-Fotografie <\/span>
40 x 50 cm <\/span>

Cristina Garc\u00eda Rodero <\/span>
Beim Dreschen<\/span><\/em>,<\/em> 1988 (Serie: <\/span>Espa\u00f1a oculta<\/span>) <\/span>
s\/w-Fotografie <\/span>
40 x 50 cm <\/span>

Cristina Garc\u00eda Rodero <\/span>
Stierkampf in Ronda<\/span><\/em>,<\/em> 1981 (Serie: <\/span>Espa\u00f1a oculta<\/span>) <\/span>
s\/w-Fotografie <\/span>
40 x 50 cm <\/span>

Ulrich Tillmann <\/span>
Triumph und Tod des Helden<\/span><\/em>,<\/em> 1998\/2004 <\/span>
C-Print, hinter Plexiglas auf Aluminium <\/span>
134 x 200 cm <\/span>

Mathieu Molitor <\/span>
R\u00f6mischer Legion\u00e4r<\/span><\/em>,<\/em> 1910 <\/span>
Bronze <\/span>
175 cm <\/span>

Duane Michals <\/span>
He burned the letter that brought him, the news he was loved no more<\/span><\/em>,<\/em> 1986 <\/span>
Silbergelatineabzug <\/span>
16,8 x 25,1 cm<\/span><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"

Werken uit de Collectie DKM
\n26.03.2022 \u2013 15.01.2023<\/p>\n","protected":false},"author":5,"featured_media":33885,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[17,452,485,413,254,443,431,458,425,491,437,416,500,455,404,464,434,473,482,428,479,446,410,470,488,497,461,467,419,422,256,476,449,401,407,440,250,29],"tags":[],"class_list":["post-34898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-generaal-categorie-nl","category-pk-ahh-nl","category-pk-cgr-nl","category-pk-cma-nl","category-pk-ct-nl","category-pk-cw-nl","category-pk-db-nl","category-pk-dbu-nl","category-pk-dka-nl","category-pk-dm-nl","category-pk-eho-nl","category-p-eo","category-pk-fmm-nl","category-pk-gp-nl","category-pk-hl-nl","category-pk-hp-nl","category-pk-ht-nl","category-pk-jc-nl","category-pk-jd-nl","category-pk-jmb-nl","category-pk-jr-nl","category-pk-jw-nl","category-pk-kb-nl","category-pk-khe-nl","category-pk-mm-nl","category-pk-mwh-nl","category-pk-mwo-nl","category-pk-pds-nl","category-pk-rm-nl","category-pk-rsc-nl","category-pk-tf-nl","category-pk-th-nl","category-pk-ts-nl","category-pk-wm-nl","category-pk-wma-nl","category-pk-wvg-nl","category-tts-archief-mdkm-nl","category-tentoonstellingen-nl"],"_links":{"self":[{"href":"https:\/\/museumdkm.de\/nl\/wp-json\/wp\/v2\/posts\/34898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumdkm.de\/nl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumdkm.de\/nl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumdkm.de\/nl\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/museumdkm.de\/nl\/wp-json\/wp\/v2\/comments?post=34898"}],"version-history":[{"count":8,"href":"https:\/\/museumdkm.de\/nl\/wp-json\/wp\/v2\/posts\/34898\/revisions"}],"predecessor-version":[{"id":34899,"href":"https:\/\/museumdkm.de\/nl\/wp-json\/wp\/v2\/posts\/34898\/revisions\/34899"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumdkm.de\/nl\/wp-json\/wp\/v2\/media\/33885"}],"wp:attachment":[{"href":"https:\/\/museumdkm.de\/nl\/wp-json\/wp\/v2\/media?parent=34898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumdkm.de\/nl\/wp-json\/wp\/v2\/categories?post=34898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumdkm.de\/nl\/wp-json\/wp\/v2\/tags?post=34898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}